Angels in Popular Culture Codexery

Hansel and Gretel (opera)

A fairy-tale opera by Engelbert Humperdinck, premiered in 1893.

Hansel and Gretel (known in German as *Hänsel und Gretel*) is a fairy-tale opera, or *Märchenoper*, by the 19th-century composer Engelbert Humperdinck. The libretto came from his sister, Adelheid Wette, who based it on the Grimm brothers' story of the same name. The opera is especially known for its folk-music-inspired melodies, most notably the "Abendsegen" ("Evening Benediction") from the second act. The project began when Wette asked Humperdinck to write music for songs she had created for her children’s Christmas celebration, which were based on "Hansel and Gretel." After multiple revisions, those musical sketches and songs grew into a full opera.

composer
Engelbert Humperdinck
librettist
Adelheid Wette
premiere_date
23 December 1893
premiere_venue
Hoftheater in Weimar
genre
Märchenoper (fairy-tale opera)
language
German

Lore & Background

Humperdinck composed Hansel and Gretel in Frankfurt in 1891 and 1892. The opera was first performed in the Hoftheater in Weimar on 23 December 1893, conducted by Richard Strauss. It has been associated with Christmas since its earliest performances and today it is still most often performed at Christmas time. 'Abends will ich schlafen gehn' is a well known duet from the opera. The first performance outside Germany was in Basel, Switzerland, on 16 November 1894. The first performance in England was in London on 26 December 1894, at Daly's Theatre and its first United States performance was on 8 October 1895 in New York. The first performance in Australia was on 6 April 1907, at the Princess Theatre, Melbourne.

Reader's Guide

Hansel and Gretel is a cornerstone of the operatic repertoire, particularly associated with Christmas performances. Its folk-inspired melodies, especially the 'Abendsegen' duet, have made it widely popular. The opera's performance history includes notable conductors such as Richard Strauss at the premiere and Gustav Mahler at the Hamburg premiere in 1894. In English-speaking countries, the opera is most often performed in English, with translations by Constance Bache, Norman Kelley, and David Pountney. The Metropolitan Opera has performed the work since 2007 in a production originally created for the Welsh National Opera using Pountney's translation. The opera's enduring appeal lies in its blend of fairy-tale narrative, accessible music, and family-friendly themes, making it a frequent introduction to opera for children.

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